Biochemical Soul Musings on Nature, Science, Evolution, Biology, and Education


Kingdom of the Blue Whale! – National Geographic

Heart the size of a Mini Cooper.
Mouth big enough to hold 100 people.
Longer than a basketball court.
Weighing as much as 25 large elephants.
It is the largest creature ever to inhabit the earth.
But we know precious little about it.

Kingdom of the Blue Whale - National Geographic Channel

Kingdom of the Blue Whale - National Geographic Channel

Yes, I am now an advertising pawn of big media. But it's a particular medium that I have no problem advertising for (and it will soon be obvious why). Thanks to the National Geographic Channel’s awesome Digital Consultant, Minjae Ormes, today I received an early screener DVD of their new TV program "Kingdom of the Blue Whale," which premieres Sunday, March 8, at 8 p.m. ET/PT.

Shiny Happy DVD (and press release)

Shiny Happy DVD (and press release)

Recently, Christie at Observations of a Nerd reviewed an early copy of NGC's Darwin Specials. She had a minor problem with one aspect of it, which I then expounded upon. I saw the problem as a critical one in which they incorrectly spoke about the mechanisms of evolution. I should note that having watched "Morphed" the rest of program's quality more than made up for my criticisms. Nonetheless, I told NGC's Digital Consultant that I felt a little bad criticizing it, but that I felt I had to. She replied thusly:

"Given your experience and expertise, I wouldn't expect anything less. I think it is precisely your personal take on the programs that would more likely convince other people to watch the programs via word-of-mouth, so I always appreciate an honest and thorough review."

It is for this open attitude that I have no problem reviewing NGC's programs and advertising for them. After all, who doesn't love the National Geographic Channel in general? This blog is all about science outreach - and that's what I see these NGC programs as being all about (other than the whole money thing).

This review is a tag-team collaborative review between myself, the aforementioned Christie at Observations of a Nerd, and Allie Wilkinson of Oh, For The Love Of Science! (link will be updated once their reviews are posted). Christie is actually a marine biologist, and knows a ton about whales, so she will focus on the science aspect of the program, while Allie is a conservation buff, and will cover it from that angle. I on the other hand, know a little more than your average non-scientist Joe about cetaceans and conservation, but infinitely less than Christie and Allie, so I will mainly give my impressions of the presentation, visuals, cinematography, etc., though there will no doubt be overlap.

Kingdom of the Blue Whale

“Our oceans once churned with giants, diving deep through liquid space. Today they’re few...and fragile”

The above quote is the opening line, delivered by the smooth yet husky voice of none other than walrus-mustachioed Magnum P.I. Tom Selleck. First off, let me say that Tom Selleck makes a really great narrator - smooth and never overly melodramatic.

For those of you who don't want to read the whole review, here is all you need to know: Kingdom of the Blue Whale is stunning! It's beautiful. It's sad. It pisses you off. Then it wows you some more. Then it saddens you again. Then it's uplifts you and then leaves you thinking "we've got to save them!"

The roller coaster of emotions is most assuredly intended exactly as such, for the program involves more than one story, though it does have a singular narrative at its center.

The central story involves one that perhaps many non-marine biologists and non-scientists may find shocking: despite the fact that the blue whale is the largest animal ever to have existed on the Earth, we had never seen them mating, we had never seen an infant, and we didn't even know where the blue whale goes to get it on and have babies. In fact, the smallest blue whale calves we've seen were about 40 feet long! To quote the program:

“Their calls travel hundreds of miles…but we can barely hear them.”

“They eat thousands of pounds of food every day…but we don’t know how they find it”

These are some of the many questions that several different groups of researchers set out to answer in the film. One of the things I loved about it is that each scientific question - including the nitty gritty details of how and where lab experiments were done, how samples were obtained, who is doing the research - was cut and intermingled in between the main story arc which took place almost solely on the open ocean.

It was clearly edited in a way to best bring the details of science to the attention-deficit American audience. First woo you in with stunning imagery and a tale of high seas adventure (and the constant question: "will they find a baby blue?"), then feed you a little bit of the behind-closed-doors labor of science - studies of the inner ear, communication, some genetics, illegal hunting - followed by more of the story arc, and so on.

Tagging the Blue Whale

Tagging the Blue Whale

The one tiny potential problem is that it is fairly long (1hr 36min without commercials) with a lot of research talk, such as in a segment on a portable genetics lab in a Japanese hotel looking for blue whale meat from a meat market. But I must stress that this is NOT a problem with the program per se, but a problem with today's viewing audience. In fact, I am incredibly pleased that they included so many different scientific issues. In the end, I enjoyed every minute of it, and would recommend that everyone watch it.

As for the visuals, what can I say, but "wow!" The videography in this program is amazing. Especially when you consider how few blue whales exist in our enormous oceans. Most of the awesomeness can simply be attributed to the inherent magnificence of the whales themselves, but the filming crew definitely deserves mad props. The opening scene sets the pace with a great close up of a blue whale's fully expanded pleated throat gathering up krill. After watching shots such as these, one can't help but want much more - more than is actually available. The scarcity of underwater close-ups is made painstakingly clear simply by watching how these beasts live, where they're found, and the difficulty just in studying them.

The logistical hurdles of filming and studying these animals was portrayed wonderfully. Keep in mind that an adult female can weigh up to 200 tons! And the researchers can only study the whales in tiny boats - it's simply too dangerous to attempt it from the large base ship. They have to constantly maneuver to stay behind the tail and anticipate their movements. Luckily, the whales were completely unspooked by tagging and tissue sampling. It was almost funny watching them try to attach suction probes to study their movement and sounds. To do this, they had to match the whales' speed in a (relatively) tiny outboard boat. On other days they had to battle storms, which made it completely impossible to spot the whales' “blows”.



The program was filled with beautiful shots of whales from high above, whales from the surface, and even from below them. My favorite involved the "CritterCam" that was placed by suction cup on one whale. You could see the whale's nose aiming upward toward the surface - then a dark cloud became visible - krill! - the whale opened it's gaping maw and swallowed the entire mass.

The transitions were quite well done, with several excellent computer animated sequences. These sequences were few and not done to make the program flashy. All of the animated sequences were used to illustrate important points, such as one beautiful animation of the earth overlayed with migration routes and sea floor topography, which gave me a great sense of the immensity of the ocean and the whales' habitat. Another cool animation showed water, temperature, and nutrient flow to illustrate the core habitat the researchers were searching for: the "dome," a tropical area with specific temperature layers that serve as a prime "nursery" for many ocean species. Or to put it more accurately, "an upwelling of cold, nutrient-rich water generated by a meeting of winds and currents west of Central America".

And then there was my favorite animation: a sequence showing a whale fetus in the womb.

The program was not completely without laughs - especially when Tom mentioned that a nine-month pregnant female carries a fetus that's 18 feet long. It just sounds so ridiculous! Or when the collection of a single sample of whale feces is described as a "tremendous triumph."

In the end, like pretty much every nature documentary these days, it's impossible not to leave with a sense of sadness and dread. A feeling that no matter how much programs like this help, no matter how many conservation movements take up the cause, the blue whale as we know it may be ultimately doomed. But hope is certainly not lost. Some populations may be making a slow comeback. Only time will tell.

I have a ton of notes that I'm leaving out, but I'm certain that Christie will spill much more than I. Don't worry - there is still much cetacean goodness that I haven't given away (hybrids between blues and fins?).

I'll simply leave you with the following questions:

Will they find the blue whale mating grounds?

Will they discover if the blues feed during winter unlike most whales?

Will they find the elusive baby blue whale?

Hint: the "money shot" is incredibly breathtaking.

Stayed tuned next month when we will be reviewing the other NGC program you can see on the above press release: "Waking the Baby Mammoth."

And for those of you wanting even more information on these great beasts, the official press release is below.



Scientists Unravel Mysteries of Critically Endangered Blue Whales,

and National Geographic is the First to Film an Infant Calf Underwater

Narrated by Emmy Award-Winning Actor Tom Selleck,

Kingdom of the Blue Whale Premieres Sunday, March 8, at 8 p.m. ET/PT

(WASHINGTON, D.C. - FEBRUARY 18, 2009) They are the largest creatures ever to live on our planet - larger than any of the great dinosaurs - yet few people have seen one.  They are one of the loudest animals on land or sea - capable of making sounds equivalent to those of a jet engine - but we struggle to hear them.  They deliver the world's largest babies, but despite their immense size, most of the places where the great blue whales calve their young have been among the world's greatest mysteries.

Blue whales are so rare that even experts know little about them, but we do know their future is threatened.  Blue whales in the Eastern North Pacific once numbered close to 10,000, but more than a century of whaling took its toll.  Even though the hunting of blues has been banned since the 1960s, today only about 2,000 are left in what is thought to be the largest known population on earth.  In an effort to learn more about these behemoths and help to protect them, an international team of scientists supported by the National Geographic Society sets out on an expedition to unlock the secrets of the blue whale and investigate why more are dying than at any time since the era of whaling.

Narrated by Emmy award-winning actor Tom Selleck, on Sunday, March 8, 2009, at 8 p.m. ET/PT, National Geographic Channel's (NGC) Kingdom of the Blue Whale takes viewers on a journey with some of the world's preeminent experts to explore the little-known wintering grounds of these elusive gentle giants, chart their migratory paths and identify where this population produces their young - vital information if they are to be protected.  The team even hopes they will be the first ever to film an infant calf underwater.  National Geographic Magazine will also have coverage of this landmark expedition in its March 2009 issue.

Filmed during sea voyages off the coasts of California and Costa Rica, Kingdom of the Blue Whale follows a watery trail of clues over hundreds of nautical miles, as scientists unravel answers to ancient mysteries hidden in the darkest depths of the oceans.  Back closer to shore, we investigate the traumatic deaths of four blue whales in one season - far greater than the one expected every few years.  Is man to blame, and what can be done to prevent the loss of additional whales?

Stunning HD underwater cinematography, CGI of the developing whale fetus, satellite imaging and insight from experts all help tell this new chapter in the story of the blue whale.  Using National Geographic's cutting-edge Crittercam®, an integrated video-camcorder and data-logging system that attaches to the whale's back with suction, this special also features the exclusive footage of the blue whale gulping krill - from the whale's perspective.

Aboard Oregon State University's research vessel the Pacific Storm, scientists use state-of-the-art equipment to find, study and listen to the Eastern North Pacific blue whale population.  Beginning in California, Dr. Bruce Mate, director of the Marine Mammal Institute at Oregon State University, places satellite tags on individual blues to track their location anywhere in the sea and collects skin samples to determine the sex of the whales.  Simultaneously, John Calambokidis of Cascadia Research in Olympia, WA, uses a camera to photo-ID blues and a crossbow to collect small skin samples for further study.

Employing a different type of tag, Dr. Erin Oleson, formerly of the Scripps Institute of Oceanography near San Diego, CA, decodes the whales' sounds - and what they might mean - by comparing the acoustic signals to the behavior they exhibit.  To their delight, the scientists are able to tag 15 blues.  But sadly, the team also comes across several dead blues off the coast of Santa Barbara, leaving the scientists distressed and elevating the urgency to find what is killing them.

Armed with technology and driven to solve the mysteries of these giants, the scientists next journey hundreds of miles through remote and dangerous seas searching for the wintering ground of these leviathans in the vast Costa Rica Dome, an area of the Pacific Ocean where cold water from the deep rises to just below the warm, tropical surface - an ideal blue whale habitat.  There the team faces the real challenge of finding and observing blues, which spend virtually all of their lives underwater and surface for only seconds at a time to fill their closet-sized lungs before diving again.

The team locates the whales in almost 1,000 square miles of remote ocean rarely visited by humans, and succeeds in their bold mission to confirm three whale behaviors never witnessed before at the Costa Rica Dome - courtship, calving and winter feeding.  By learning more about this secret spot, they win a huge victory toward protecting the creatures and their most vital habitat.  The team also confirms that calves are born at the Dome by documenting a mother blue whale traveling with an infant calf, the youngest ever photographed underwater and one of the rarest sights in nature.  And they confirm that blues feed all year round in this location - a behavior never before observed here.  Prior to this discovery, scientists had suspected that blue whales fed here during the winter months, but were never able to conclusively prove it.  In addition, the team verifies that blue whales interact with one another by singing, a behavior previously exhibited only by single males swimming alone.

Kingdom of the Blue Whale also opens a window into why these animals have become one of the most endangered species on earth.  Today, our oceans are busier and noisier, and resources the whales depend on are disappearing.  And while blue whale hunting is now illegal, they remain under assault by another killer - huge oceangoing cargo vessels that power through the sea day and night.  Blues have been known to become victims of ship strikes on occasion, but the numbers of fatalities have increased in recent years.  In fact, the four dead blue whales found during the making of this film were apparently killed by ship strikes.  Whale experts are exploring whether the amount of industrial noise in today's oceans might be a cause of confusion for blue whales, which can play a role in their tragic, but avoidable, deaths.

Join the National Geographic Channel as it unravels the web of mystery surrounding the elusive behemoths of the sea and uncovers the keys to the blue kingdom and its future.  As we witness the vitality of the whale's most critical behaviors, we now understand the complete life cycle of big blues and where science can concentrate its efforts to protect them.  As whale expert Steve Palumbi says, "It's probably harder to be a whale like that than it's ever, ever been before ... I think we have the power to protect them and let them have that chance."  To give them that chance, we must protect our seas over the years and decades to come ... for baby blue and for ourselves.

For more information on blue whales, visit


J.J. Abrams New TV Show “Fringe” is a Hunk of Crap (and Bad for Science)


Okay, so let me first state upfront that I am a scientist throughout every level of my psyche. I do not believe in Gods, the paranormal, homeopathic remedies, astrology, magic, UFOs, immortal souls, the chupacabra or any other such nonsense.

That being said, from an entertainment standpoint, I am a huge fan of nearly all science fiction, fantasy, and literary and cinematic portrayals of pseudoscientific and paranormal ideas (at least the good shows/stories).

In fact, I'm not embarrassed to admit that one of my favorite TV shows is Buffy the Vampire Slayer. Cool demons, magic, and truly amazing character development, mixed with brilliant examinations of our shared cultural and human's got it all. Also, I should mention that I was a fan of both "Alias" and "Lost".

That being said, I just watched the pilot episode of J.J. Abrams new TV show "Fringe" and I must say that it is a steaming load of shite on multiple different levels. And on top of all the things that make it horrible entertainment, I think it's bad for science as well.

I'd like to first tackle the reasons I think it's bad for science.

Reason 1: The main "scientist" character is a clinically insane old guy in a white lab coat that gets yanked from the loony bin to do his scientific deeds.  He's the stereotypical "mad scientist". And he's not the only one. Another mad scientist who used to be buddies with the other mad scientist turned himself into Bill Gates and now runs an evil science corporation (at least they strongly imply the corp is gonna be evil).

Reason 2: Just as an example of how science is portrayed in this show - one of the characters in the corporation says (paraphrased) "Science and technology have grown at such an exponential rate for so long, it’s now beyond the control of regulation." This seems like it will be a major theme of the show - giving a run-down of every possible way imaginable that science can go wrong. FEAR science! It's out of control!

Reason 3: This is basically the same as #2, but it comes not from the show but from J.J. Abrams himself as quoted in this interview (no longer available):

The show is coming out at a time when every week we read or see some kind of potentially horrifying scientific breakthrough … We are at a time where science is out of control,” Abrams told reporters during a conference call [emphasis mine]. He pointed out that recently scientists talked of having some success in attempting to develop an invisibility cloak device after creating two types of materials that can bend light the wrong way.

“The stuff you would never in a million years think is actually possible, is happening every day. It is pushing what we all thought was that comfortable quaint version of what sci-fi is, to a very different place, and that is where ‘Fringe’ lives,” Abrams said.

Obviously, Abrams knows exactly jack shit about actual science. The cloaking device is cool, but still a far cry from the science fiction incarnations that have been dreamed of for decades. If anything, I would argue that science is far behind most science fiction visions of our technological possibilities, and it certainly isn't producing "the stuff you would never in a million years think is actually possible". Despite this reality, Abrams now gives watchers more fears to ruminate on.

Reason 4: Despite the fact that Abrams himself has said that much of the show will at least revolve around real modern science, most of what I've seen in the pilot is nothing but moronic caricatures of real science. One quick example: When mad scientist guy is given back his ancient underground laboratory at Harvard from many years ago, he asks for a bunch of lab equipment, including "a microorganism detector".  What the hell is that? A microscope? Maybe a PCR machine for sequencing DNA (which he's never heard of because he's been in the mental clink for years). I've been in many many labs, but somehow I missed out on being trained to use the microorganism detector.

Which brings up the main reason I hate this show - The plot setup is so retarded that I simply cannot suspend my disbelief.

You see, good shows dealing with the paranormal or pseudoscientific do one key thing that makes all the wierd stuff perfectly alright - they give you a good reason to suspend your disbelief. Buffy, for instance, simply tells you "magic is real, demons are real, and she's the chosen one to kill evil".

Alright, I can accept that - now bring on Spike...

As another example, Heroes, X-Men and The 4400 simply said "There are people with superhuman or paranormal gifts. It's tied to biology or genetics. That's all you need to know." Alright, I accept your scene - on with the cool acts of derring-do.

"Fringe", on the other hand, makes its own setup utterly unbelievable and stupid almost from the very beginning. Fifteen minutes into it, we're told that there's some crazy disease melting people or turning their skin clear, and only one man can save the now-infected FBI agent. The savior is non other than the mad scientist who's been in the Nut Hatch for years.

So they pull him out, muttering, stuttering, and acting generally crazy, and they give him his lab. He immediately begins prepping a few electrodes and a massive tank full of saline or something, into which he puts the girl of the show. He hooks her up to the FBI dude so they can "share consciousness".

Never mind the fact that science and technology has in fact progressed far enough that the ten-year-old scientific knowledge of an insane man would be almost completely obsolete.

The problem is that the show doesn't set itself in the future or couch the strange happenings in a simple way that allows you to disregard the unlikelihood of its events. No - instead it takes itself MUCH too seriously and tries to make you believe that our technology, as we know it and understand it right now in 2008, already contains such things as transmogrification, teleportation, and connecting minds (through the rhythm of "brain waves" no less, ignoring anything about real neuroscience or brain structure or neurons). Not only that, but the crazy scientist many years out of practice is light years ahead of the real scientists.

In summary, don't waste your time with "Fringe". From the pilot, I saw no redeeming interesting plot elements or particularly intriguing character development. Perhaps it will get better, though I doubt it.